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Given his reputation as a larger-than-life trickster, it’s little surprise that Mozart’s capacity for crafting characters from sound is unparalleled. ANAM’s Artistic Director Paavali Jumppanen leads the MSO from the piano for this vivid insight into Mozart’s brilliance.

Mozart's Rondo for solo piano – based on a melody by his early mentor J.C. Bach – provides a charming opener to set the stage for the two works to come.

Both Piano Concertos No.23 and No.24 were composed in 1786 while Mozart was immersed in writing his operatic comedy The Marriage of Figaro, and both are infused with a sense of drama. The 23rd evokes thematic material from Figaro, tempering its bustling, playful energy with almost unbearable longing.

Piano Concerto No.24 takes us to another realm entirely. Out of a dark, mystical opening emerges a tender and vulnerable piano solo – our characters are set – and a raging battle between ruthless power and quiet honesty ensues.